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Before coming to Eindhoven, I studied metal craftsmanship at Ecole Boulle. This school teaches students the traditional French craft heritage. There, I learned to have a good vision in 3D, precise technical skills and an eye for quality. Some aspects of this education have remained strongly in my mind: as we were forging our own tools with a fire torch and a hammer, I designed my own tools -all laser cut in steel- to construct the ‘Regen’ garments and accessories. I also love all the little technical tricks that make crafts and techniques being so smart. And to conclude, I really enjoy the craftsman routine: spending time in an atelier, being physically active and focused, trying out different tools, making a mess, and having the greatest satisfactory feeling when all the products are finally done and the atelier is clean again.
 
What fascinates you about designing materials?

First of all I would say that I am a materialist and therefore, I like to touch and feel the matter. I like the weight, the texture and the smell of things. I feel connected to the materials because my senses can relate to them. I like the smell of Argon when I weld, the smell of sheep when I work with wool, the smell of latex when I work on ‘Regen’. All these details give an atmosphere to my days. Besides this, I am seeking unexpected outcomes from common materials. I enjoy playing with their limits, or combine them to extract possibilities they haven’t given yet. When I manage to get a surprising effect, then I feel that I have achieved my goal.
 
Can you describe your creative process?

 like a river, fashion will break free with overwhelming fluidity becoming the principle of design for the near future. the fluency of the currents and waves and rapids and rivulets is reflected in the fluidity of folds and drapes and smocks and gathers, while froth and foam are rendered with fine pleating, layering and perforation. cascading waterfalls of frills and ruffles will give majestic form to romanticism. breaking waves of fine foamy jerseys will be layered to shield from a sudden summer breeze. the wilder currents of the ocean will stand for conceptual asymmetrical shapes while the stillness of the lake will ripple softly with crêpe and undulating yarns, reflective and minimal in a profound and deep dark blue.

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